Thursday, August 28, 2008

If you missed it the first time, "The Spitfire Grill" returns!

To ring in the end of the summer and celebrate Fall, back-to-school, and the return of the cold weather to NY, warm up with a show which the New York Times called "satisfying...compelling...freeing", The Spitfire Grill.

Brought to you by a company that has been highlighted with "beautiful direction" (offoffonline for Turn of the Screw) and recommended "without the least reservation" (RetroVision Theater for Turn of the Screw).

The Spitfire Grill
WINNER of the Richard Rodgers Production Award, administered by The American Academy of Arts and Letters

Music and Book by JAMES VALCQ
Lyrics and Book by FRED ALLEY
Based on the Movie by LEE DAVID ZLOTOFF

Starring
SEAN EDWARDS ANNIE GANE VALERIE G. KEANE
JEAN ANN KUMP R. ROSS PIVEC CELINE ROSENTHAL
BEN SEIDMAN*
*performing courtesy of actors equity association. AEA approved showcase.

Musical Direction by PAUL JOHNSON
Directed by ROBERT FRANCIS PERILLO

ONE-WEEK LIMITED ENGAGEMENT
SEPTEMBER 4 – SEPTEMBER 13, 2008 AT THE SAGE THEATRE

OPENING NIGHT IS SATURDAY, SEPTEMBER 6 AT 8 P.M.

TICKETS ON SALE NOW AT THEATERMANIA.COM

Tuesday, August 19, 2008

Due to the overwhelming positive response to Nicu's Spoon's Elizabeth Rex, all the performances are open to press. Tickets are available by clicking HERE.

Neil Genzlinger from the New York Times says "The 13 skilled actors in this production, by the Nicu’s Spoon company, transport you back to Shakespeare’s day effortlessly."

NOMINATED FOR 2 NY INNOVATIVE THEATRE AWARDS
BEST ACTRESS AND BEST ACTOR


The theme of male and female role-playing is the play's most innovative feature.—Back Stage

A play that is so well tailored it fits the company of actors performing it like a fine Italian suit. -- Broadway Bullet

This substantial and rather difficult play uses Shakespeare's milieu to gamely confront matters of gender and sexuality. Nicu's Spoon proves an excellent utensil for the task. – Blogcritics

Stephanie Barton-Farcas is truly formidable and majestic…As Shakespeare, Scott Nogi is witty and winsome… Michael Digioia plays the leading” lady”Ned who is dying of syphilis with poignant honesty —Broadway World

[Elizabeth Rex has] several beautiful moments. –The Fab Marquee

ELIZABETH REX

Written by TIMOTHY FINDLEY
Directed by JOANNE ZIPAY

Starring Ruth Kulerman (Bloomsday on Broadway XXII), Bill Galarno (The Godfather) and Oliver Conant (Summer of ’42) plus MELANIE HORTON, STEPHANIE BARTON-FARCAS, REBECCA CHALLIS, MICHAEL DIGIOIA, ANDREW HUTCHESON, SAMMY MENA, SCOTT DAVID NOGI, TIM ROMERO, DAVID TULLY

Elizabeth Rex self-consciously explores themes of power, gender, identity, and the inevitability of loss. At its heart is the struggle of two misunderstood characters who seek to understand one another: Ned Lowenscroft, the flamboyant actor who has based his theatrical career on the portrayal of Shakespeare's great female leads, and the domineering Queen Elizabeth, the monarch who has sacrificed her traditional place in society as a wife and mother in order to retain control of the throne. -- Claire Epstein, New Theater Corp

Center Stage Theater (48 West 21st Street (between 5th and 6th Avenues.)
NOW – SEPTEMBER 6th
WEDNESDAY - SATURDAY 8PM; SUNDAY 3PM

Running time is 21⁄2 hours with an intermission.

Monday, August 18, 2008

Firebone Theatre Company
Proudly Presents the US Premiere of

REFUGE OF LIES
“Refuge of Lies raises impressive, complex questions about forgiveness”
—Mark Taper Forum

Written by
RON REED

Starring
DREW DIX JOANNE JOSEPH JOHN KNAUSS
RICHARD MAWE* ARTHUR PELLMAN LORRAIN SERABIAN*
LIBBY SKALA*
*Actors performing courtesy of Actors Equity Association. AEA approved showcase.

Directed by STEVE DAY

THREE-WEEK LIMITED ENGAGEMENT
SEPTEMBER 12 – SEPTEMBER 28, 2008 AT THE LION THEATRE

OPENING NIGHT IS WEDNESDAY, SEPTEMBER 17 AT 8 P.M.

TICKETS ON SALE NOW AT TICKETCENTRAL.COM

FIREBONE THEATRE COMPANY is pleased to announce the US premiere production of REFUGE OF LIES, directed by Steve Day. REFUGE OF LIES will play a three-week limited engagement at Theatre Row: Lion Theatre (410 West 42nd Street). Performances begin Friday, September 12 and continue until Sunday, September 28. Opening Night is Wednesday, September 17 (8 p.m.).

Press Performances:
Friday, September 12 at 8 pm
Saturday, September 13 at 8pm
Sunday, September 14 at 2pm
Wednesday, September 17 at 8pm

Rudi Vanderwaal, a gentle, "good," elderly gentleman living in Canada is hunted down by a Jewish reporter who insists Rudi is living a lie. Rudi's haunting past as a Nazi collaborator now demands justice. Will he have the courage to face the crimes of his youth, or flee, once again, behind a promise of grace? This Hitchcock-like thriller is based on a true story.

The production stars Richard Mawe (Award-winning Death of a Salesman at Boston Theatre, Woody Allen's “Alice”) as Rudi, Lorraine Serabian (Tony Nomination, winner of the Outer Circle Critics Award, and Barrymore Award Nomination for Zorba!) as Nettie and also Libby Skala (the "Best Solo Performer" award winner, London Fringe Festival 2007).

The production features set design by Rebecca Ferguson, costume design by Marina Reti, and lighting design by Michael Jarett. Jonathan Rivera is the sound engineer, Maria Byerley is the portrait artist and Amanda Gwin is the stage manager.

REFUGE OF LIES plays the following schedule through Sunday, September 28:

Friday, September 12 at 8 pm
Saturday, September 13 at 8pm
Sunday, September 14 at 2pm
Wednesday, September 17 at 8pm
Thursday, September 18 at 8pm
Friday, September 19 at 8pm
Saturday, September 20 at 2pm
Saturday, September 20 at 8pm
Sunday, September 21 at 2pm
Tuesday, September 23 at 8pm
Wednesday, September 24 at 8pm
Thursday, September 25 at 8pm
Friday, September 26 at 8pm
Saturday, September 27 at 2pm
Saturday, September 27 at 8pm
Sunday, September 28 at 2pm

Tickets are $18.

Tickets are now available online at www.TicketCentral.com or by calling 212-279-
4200. Tickets may also be purchased in-person at the Theatre Row Box Office, 12 p.m. to 8 p.m.
daily.

Running time: 2 hours with an intermission

www.firebonetheatre.com

"The creative direction by Steve Day brings it all together in a unified progression that builds to Ginger's epiphany of self-determination."
- Back Stage Magazine (Invisible Child)

Friday, August 15, 2008

The acclaimed The Spitfire Grill returns to NYC

"A soul satisfying ... work of theatrical resourcefulness. A compelling story that flows with grace and carries the rush of anticipation. The story moves, the characters have many dimensions and their transformations are plausible and moving. The musical is freeing. It is penetrated by honesty and it glows."
-- N.Y. Times

It is not often that material moves me to tears, but this was one of those occasions. The Spitfire Grill has the heart and soul that your Producers and Full Montys cannot begin to approach. The amiable country flavored tunes and lyrics are rendered with the kind of conviction and expertise that make them transcendent. What in normal times would be a joy is, in these troubled ones, sheer nourishment."
“Best of 2001” list
– New York Magazine

"Soaring melodies! ... Well before the show reaches its conclusion, many ... city slickers in the audience may be ready to enter Percy's raffle."
-- Wall Street Journal

"An abundance of warmth, spirit and goodwill! ... Some of the most engaging and instantly infectious melodies I've heard in an original musical in some time."
-- USA Today


Wake Up Marconi!
Proudly Presents


The Spitfire Grill
WINNER of the Richard Rodgers Production Award, administered by The American Academy of Arts and Letters

Music and Book by JAMES VALCQ
Lyrics and Book by FRED ALLEY
Based on the Movie by LEE DAVID ZLOTOFF

Starring
SEAN EDWARDS ANNIE GANE VALERIE G. KEANE
JEAN ANN KUMP R. ROSS PIVEC CELINE ROSENTHAL
BEN SEIDMAN*
*performing courtesy of actors equity association. AEA approved showcase.

Musical Direction by PAUL JOHNSON
Directed by ROBERT FRANCIS PERILLO

ONE-WEEK LIMITED ENGAGEMENT
SEPTEMBER 4 – SEPTEMBER 13, 2008 AT THE SAGE THEATRE

OPENING NIGHT IS SATURDAY, SEPTEMBER 6 AT 8 P.M.

TICKETS ON SALE NOW AT THEATERMANIA.COM

WAKE UP MARCONI! is pleased to announce the production of THE SPITFIRE GRILL, directed by Robert Francis Perillo. THE SPITFIRE GRILL will play a limited engagement at Off-Broadway’s Sage Theatre (Sage Theater, 711 7th Avenue between 47 and 48 Street, 2nd Floor). Performances begin Thursday, September 4 and continue Saturday, September 13. Opening Night is Saturday, September 6 (8 p.m.).

A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah's Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin' at the Spitfire Grill.


The production features scenic design by Dave Gonzalez, costume design by M’arion Talan, and lighting design by Karl Chmielewski. Audrey Marshall is the stage manager.

THE SPITFIRE GRILL plays the following schedule:

Thursday, September 4 at 8pm
Friday, September 5 at 8pm
Saturday, September 6 at 3pm & 8pm
Sunday, September 7 at 3pm
Wednesday, September 10 at 8pm
Thursday, September 11 at 8pm
Friday, September 12 at 8pm
Saturday, September 13 at 3pm & 8pm

Tickets are $18 (Student Tickets $15) and are now available online at www.theatermania.com or 866-811-4111. Tickets may also be purchased in-person at the Sage theatre, ½ hour prior to the show.

2 hours with a 10 minute intermission.

Excerpts from original cast album: http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:fnfrxq9ald0e

For more information visit: http://www.marconitheatre.com

BIOGRAPHIES

FRED ALLEY (Lyricist) was the co-founder and Artist in Residence at American Folklore Theatre (AFT) in Door County, Wisconsin, a populist theatre with a seasonal audience of 50,000. At AFT, Mr. Alley collaborated on over twenty original shows with director Jeffrey Herbst, composer James Kaplan, co-founder Doc Heide, designers Neen Rock and Dave Alley, and frequent guest artists Paul Sills and James Maronek. It was at AFT that Mr. Alley first collaborated with James Valcq on The Passage, a new musical. His second collaboration with Mr. Valcq, The Spitfire Grill, received its world premiere at New Jersey’s George Street Playhouse before its Off-Broadway opening at Playwrights Horizons. Mr. Alley was also the librettist and lyricist of the musicals Guys on Ice, Lumberjacks in Love, and The Bachelors, all of which set box office records at Milwaukee Repertory Theatre, and are now winning new fans at regional theatres all across the country. Fred Alley died unexpectedly in May 2001.

ROBERT FRANCIS PERILLO (Director) is a Master Voice Teacher and has trained actors for over a quarter of a century. He has worked at Binghamton University, Marymount College, the National Shakespeare Conservatory, New York University's Tisch School of the Arts, and the Stella Adler Studio of Acting where he was head of the Voice Department. Mr. Perillo trains and coaches actors privately both for performance and auditions. In addition he has worked extensively with businessmen and women, writers, politicians, singers and clergymen. He has given seminars and workshops to choral groups, readers of scripture and to other teachers of voice and speech. Mr. Perillo is a stage director and actor and has directed and appeared in playwrights as varied as William Shakespeare, Noel Coward, John Patrick Shanley, George F. Walker, Charles Ludlam, Tom Stoppard and Oscar Wilde. Mr. Perillo is on the faculty of the Public Theater's Shakespeare Lab.

JAMES VALCQ (Composer) composed the score of the Off-Broadway musical The Spitfire Grill (Playwrights Horizons, 2001) which won the Richard Rodgers Production Award administered by the American Academy of Arts and Letters (Stephen Sondheim, chair; Ned Rorem, president) and received Best Musical nominations from the Outer Critics Circle and Drama League as well as two Drama Desk nominations (cast album: Triangle Road Records). The show, written with collaborator Fred Alley, has been produced over 250 times across the United States, in Germany, and most recently in South Korea. In 2008, The Spitfire Grill will have its UK premiere at the Edinburgh Fringe Festival. Also Off-Broadway, James was the composer/author of Zombies from The Beyond, which opened to critical acclaim in 1995 (cast album: Original Cast Records).

Other NYC credits include Fallout Follies at the York Theatre, Songs I Never Sang For My Father at the Village Theatre, and The Last Leaf, a collaboration with Tony-nominee Mary Bracken Phillips. Regionally, James has composed music for Love’s Labours Lost at Idaho Shakespeare Festival and Great Lakes Theatre Festival, Twelfth Night at Door Shakespeare, Tomas and the Library Lady at Idaho Theatre for Youth, an adaptation of the classic children’s book The Pancake King commissioned by Milwaukee’s Next Act Theatre, and The Passage (another collaboration with Fred Alley) at American Folklore Theatre in Wisconsin.

Broadway credits as conductor and/or musician include Chicago, Flower Drum Song, Cabaret, Scarlet Pimpernel. Other conducting credits: Maurice Sendak’s production of Really Rosie (national tour), Candide, Lady in the Dark, South Pacific (Skylight Opera Theatre), and She Loves Me (Indiana Rep). James holds an MFA from the Graduate Musical Theatre Program at New York University’s Tisch School of the Arts.
WAKE UP MARCONI! Marconi, our namesake, sought to connect the people of the world across seemingly insurmountable distances, and we strive to do the same. In today’s climate the distance is not merely physical, it is multi-faceted; people are separated by gender, by race, by language, by ideology, by fear.

We seek to bridge that gap, bringing communities together and fostering cross-cultural communication.

We wish to educate, and we believe that theatre is the best way to do so; holding up a mirror to society and showing everyone that we are not so different after all. Wake Up Marconi! aims to produce two professional shows per year. For each one, we intend to have an associated charity performance with a workshop targeting the affiliated marginalized population that the show addresses. We also intend to provide workshops to different communities fostering new works showcasing said communities. Through these actions, we hope to effect positive change and surmount the insurmountable.

# # #
You can't win them all but you can get close:

The New York International Fringe Festival began less than a week ago, and already my heart is broken. For schedule-related reasons, I'm not going to be able to see "The Deciders," a rock musical about the possible shortcomings of our current president and his pals, or "Becoming Britney," whose title seems self-explanatory. I am also sorry to be missing Anaïs Nin Goes to Hell

Full article: New York Times

Thursday, August 14, 2008

Anaïs Nin Goes to Hell Follows The Age-Old Tradition of The Show Must Go On

August 13, 2008, New York, NY--MAIEUTIC THEATRE WORKS’ (MTWorks) production of David Stallings’ Anaïs Nin Goes to Hell, received horrific news on Sunday, 4 hours prior to the performance. After premiering their latest work on Friday, to a sold-out house, Maggie Benedict, who played Cleopatra, lost her father; she was to fly out to South Africa immediately to be with her family and would not be able to continue with the run. MTWorks sympathies were with the family and their immediate response was to cancel the show.

This type of sudden predicament happens in the theater world, and the answer has always been “The Show Must Go On”, but for a small and fresh theater company that has only been around for three years, this was a first. Fortunately Kristina Kohl, a company actress, and David Stallings’ original inspiration for the role of Cleopatra, jumped right in, grabbed a script, scribbled down stage directions and saved the night.

Duncan Pfaster of Broadway World who was in the audience said, “on the night I attended, Ms. Benedict had a death in the family, and Kristina Kohl, another actress from Maieutic Theatre Works, took over her role with 4 hours notice, on book, and gave a fine performance.

MTWorks, the cast and crew of Anaïs Nin Goes to Hell would like to dedicate the remaining 3 performances to Maggie Benedict and the memory of her father.
“When Maggie told us that she lost her father and had to go back to South Africa, I was devastated. Devastated for her loss of her father so suddenly-I can't imagine the pain of that and I feel terrible that she has to go through that. I was also devastated to lose her in the show. She played the role of Cleopatra so beautifully and brought so much fire and individuality to the part that I knew that losing her would change the effect of the play. I of course understood the situation and agreed there was no question about her having to leave and take care of her family. She will be missed.” Said Cristina Alicea, director of Anais Nin Goes to Hell.

Kristina Kohl running lines moments before her performance.

Kristina Kohl will be finishing out the run starring as Cleopatra in the final three performances of ANAÏS NIN GOES TO HELL. This limited engagement is part of the 12th annual New York International Fringe Festival-FringeNYC at The Connelly Theater (Venue # 17; 220 East 4th Street-between Avenue A & Avenue B).

Stallings immediately thought of Kohl as the replacement because she was the actress who had told him Cleopatra belonged in the play. Even with their history, Stallings was amazed at her ability to step into the role. He remarked, “When we lost Maggie, Kristina did not hesitate to save us--she has nerves of steel. It was a blessing for us to find an actress who implicitly understood the character and was able to walk seamlessly in her shoes. I have never met an actress with the ability to enter stage with not even a full day rehearsal, with a script in hand, and then wink at me when it was over.”

What reviewers are saying about ANAÏS NIN GOES TO HELL:

For a play about woman, but written by a man, it tapped into the greater female psyche…” -NY Press

[Shelly] Feldman is a gleeful delight as Nin- owning every moment she's onstage with stylish grace and power- one really believes her as the catalyst for all the change her character inspires.” –Broadway World

It's nice to see a play that relies on strong women.” –NY Theatre.com

Cristina Alicea's direction is wonderful- she brings the most out of the talented cast.” –Broadway World

Anaïs Nin Goes to Hell only has 3 performances remaining in FringeNYC:
Sunday, August 17th at 7:15 pm
Thursday, August 21st at 5:15 pm
Sunday, August 24th at 2:45 pm

Running time is 2 hours with an intermission.

Tickets are $15.00. $10 senior citizens (65 years or older), and for those who purchase groups of 20 or more tickets to a single performance. Tickets can be purchased at www.FringeNYC.org or 866.468.7619. Tickets may also be purchased in person at FringeCENTRAL, the main box office for the Festival, up until 24 hours before the actual performance. On the day of the performance, tickets must be purchased at the venue where the show is playing. Venue box office opens 15 minutes before the performance. (Cash only.)

Please check www.fringenyc.org and www.mtworks.org for updates.

Photos are available HERE.